What makes someone into an icon? Is it an accumulation of moments and sound bites, or can a single picture cement an individual as a piece of our popular culture? We all know that “sex sells,” so perhaps the idea of an icon isn’t as accurate as saying someone is a sex symbol. For whatever reason, Marilyn Monroe is the de-facto sex symbol of American history. A few moments from her career and life have made her into a muse for an enormous amount of artists and entertainers, even if it is occasionally in parody. From her sultry birthday song to former President John F. Kennedy to the famous subway grate scene from The Seven Year Itch (1955), her suicide in 1963 only fuels the never-ending obsession with Hollywood’s favorite “dumb blonde.” This week’s two films highlight bookends to Marilyn Monroe’s film career.
Some Like it Hot
Rating: Not Rated
Length: 120 minutes / 2 hours
In the decade before the end of her life, Monroe was on a hot streak on Hollywood. She appeared in such films as Gentlemen Prefer Blondes (1953), which included the song “Diamonds Are a Girl’s Best Friend,” and The Seven Year Itch, with its aforementioned subway grate shot. In the height of her popularity, she even started her own film company, which released The Prince and the Showgirl (1957), the filming of which was the main plot of the biopic, My Week with Marilyn (2011). Part of the appeal of her roles in these films came from the “dumb blonde” persona. When she acted like a beautiful girl without a brain in her head, often comedy would ensue. If anything, it perpetuated a negative female stereotype. At any rate, one of her final films was none other than the classic, Some Like it Hot (1959).
Sugar Kane (Marilyn Monroe) is a singer and ukulele player for an all-female ensemble en route to Miami for a gig. When their train leaves from Chicago, they pick up a saxophone player named Josephine (Tony Curtis) and a double-bass player named Daphne (Jack Lemmon). When Josephine and Daphne join in on Sugar’s forbidden drinking, the trio becomes fast friends. Sugar bemoans the fact she can’t find a good man and hopes to turn her luck around with a bespectacled millionaire in Florida. As luck would have it, she finds such a man, but only because Josephine is actually a man named Joe. He and Daphne (nee Jerry) dressed as women to escape the mob. Donning another disguise as Junior, Joe woos Sugar but cannot keep the ruse up for long as the mafia soon finds the two men again. In a rushed kiss during their escape, Sugar learns that Josephine is both Joe and Junior and decides to run away with him.
All About Eve
Length: 138 minutes / 2.3 hours
Even with half a dozen movies under her belt, Marilyn Monroe was still relatively unknown by 1950. Often, a pretty face will get you in the door, but you need something extra to break through into stardom. By 1953, with such hits as Niagara, Gentlemen Prefer Blondes, and How to Marry a Millionaire, Monroe had finally grabbed everyone’s attention by simply oozing sexuality. What is interesting about her films before this point is seeing her in minor roles and thinking, “Isn’t that Marilyn Monroe?” Despite many of these earlier films not standing up well over time, All About Eve (1950) still remains culturally relevant. As the Best Picture for that year, All About Eve focuses on what it takes to get ahead in the theater. Interestingly enough, the heavily Marilyn-influenced TV show, Smash, revealed the same amount of backstabbing in today’s theater world as well.
Margo Channing (Bette Davis) is pleased to find an endearing fan in Eve Harrington (Anne Baxter) and hires her to run some of the minutiae of her life. During a surprise party Eve set up for Margo’s boyfriend, Bill (Gary Merrill), Margo gets drunk and soon learns that her producer, Max Fabian (Gregory Ratoff), has agreed to audition the beautiful arm-candy of theater critic Addison DeWitt (George Sanders). Miss Casswell (Marilyn Monroe) auditions with Margo’s new understudy, Eve. Since this was news to Margo, she starts to recognize the warning signs: Eve is trying to replace her. After all, the papers are touting Eve as an up-and-coming star who fits in the roles better than the “mature” actress that Margo has become. Now Margo is on full alert, but it is already too late. Eve has played the system and is soon recognized for her accomplishments.
2 sum it up: 2 films, 2 marvelous Marilyn Monroe roles
Bacon #: 2 (Some Like it Hot / Jack Lemmon -> JFK / Kevin Bacon)