As was shown in a post from a little more than a year ago, Leonardo DiCaprio has been acting for a very long time. So long, that we’ve seen him grow up on the big screen. While many groaned at the sight of his name attached to a movie (especially after Titanic), now we almost expect his name to be linked to a great performance. I think that part of this was due to the Directors who hired him (or maybe he chose them instead). In fact, just looking at a short list of Directors he’s worked with reads like a “who’s who” of the Hollywood elite. Directors like Clint Eastwood, Christopher Nolan, James Cameron, Sam Raimi, and Baz Luhrmann pepper the list. He’s even managed to collaborate on multiple Martin Scorsese films. This week’s two films look at DiCaprio’s ever developing career.
Length: 165 minutes / 2.75 hours
One of the other Directors Leonardo DiCaprio has worked with is Quentin Tarantino. This does not necessarily mean that DiCaprio has not worked on an extremely violent movie. As I mentioned earlier in this post, he has worked on many occasions with Martin Scorsese. Two of these films were Gangs of New York (2002) and The Departed (2006). Even though DiCaprio has played the hero in many films, one of the few in which he plays the villain is Django Unchained. As such, no longer constrained to play the “good guy”, he seemed to have a lot of fun really getting into the passion of his character. With his boyish charm having evolved into the cleverness of manhood, DiCaprio no longer has to rely merely on his looks to get by, but rather on his superior acting talent honed over the years.
In Django Unchained, Leonardo DiCaprio portrays southern plantation owner Calvin J. Candie. Aside from his love for speaking limited French and eating sweets (hence the name (and delicious pun) of his plantation: Candyland), Candie is very proud of his collection of Mandingos: slaves who are pitted against each other in fights to the death. One day, he’s approached by a Dr. Schultz (Christoph Waltz) a man interested in purchasing one of his Mandingos. Schultz has brought along a freed slave by the name of Django (Jamie Foxx), who is a self-proclaimed expert in Mandingos. However, Candie’s head house slave, Stephen (Samuel L. Jackson) thinks the two men are there for something other than Mandingos. Eventually the truth comes out and Broomhilda, one of Candie’s female slaves, is sold to Dr. Schultz. And yet, this powder-keg of tension eventually comes to a head, with most people ending up dead.
Catch Me if You Can
Length: 141 minutes / 2.35 hours
I would be amiss if I did not mention, in this long list of great Directors, that DiCaprio has also worked with Steven Spielberg. And yet, in Catch Me if You Can, he plays another villain of sorts: the anti-hero. While we would like to root for the side of law enforcement, there’s just something about the chase that makes us root for the criminal. Even though the term “anti-hero” can be loosely applied in many applications, I tend to look at it as someone who is usually on the wrong side of the morals and laws we’ve all come to conform to, but who lives their life in such a way as to almost have a freedom from these constraints. And yet, the freedom they express is in order to fulfill a deep need that was not satisfied in the more traditional means, thus causing the anti-hero to attempt to fill the void with what essentially boils down to crime.
Set in the mid 1960’s, Catch Me if You Can stars Leonardo DiCaprio as Frank Abagnale Jr., a teenager who has run away from home after his parents’ financial troubles lead to their divorce. Having earlier posed as a substitute French teacher, Frank has found that confidence is all he needs to get by in the world. Unfortunately, as he runs out of money while living on his own, he turns that confidence into cash when he poses as a pilot for Pan Am. After almost $3 million in fraud is committed, Frank is soon chased by Carl Hanratty (Tom Hanks), an FBI agent who narrowly misses catching Frank upon their first face-to-face meeting. And if being a pilot wasn’t enough, Frank soon becomes a doctor and a lawyer, which gets him a girl, Brenda (Amy Adams). Unfortunately, he has to leave Brenda when Carl gets too close again. Will Frank disappear for good, or will Carl follow the clues to find him?
2 sum it up: 2 films, 2 DiCaprio “villains”
Bacon #: 2 (J. Edgar / Clint Eastwood (directed) -> Mystic River (directed) / Kevin Bacon)