It is a rare talent to not only be a prolific actor but one who has appeared in numerous classics. Add to this, several Oscar nominations for acting, and you’re left with an incredible legacy. Spencer Tracy was just such an actor. He excelled in comedy as well as drama, a challenging feat for any actor. Of course, one does wonder if collaborations with other actors and directors helped Tracy to truly shine. After all, it’s easier to act when you’re comfortable with the other people on stage, let alone the people behind the camera. Spencer Tracy worked with plenty of famous actors and directors over the years, but two individuals stand out as frequent collaborators: Katharine Hepburn and Stanley Kramer. This week’s two films examine the lengthy, varied, and oft-recognized career of Spencer Tracy.
Guess Who’s Coming to Dinner?
Length: 108 minutes / 1.80 hours
Over almost four decades, Spencer Tracy managed to rack up an astounding 75 films to his name, often performing in two or more films every year. With this statistic in mind, it then becomes evident that Tracy enjoyed collaborating with Katharine Hepburn. The two of them starred in nine films together: Woman of the Year (1942), Keeper of the Flame (1942), Without Love (1945), Sea of Grass (1947), State of the Union (1948), Adam’s Rib (1949), Pat and Mike (1952), Desk Set (1957), and Guess Who’s Coming to Dinner? (1967). These nine films comprised 12% of Tracy’s career. While rarely acknowledged officially, Tracy and Hepburn were significant to each other, both on and off camera. Sadly, mere weeks after the conclusion of filming Guess Who’s Coming to Dinner? Spencer Tracy died of a heart attack at the age of 67.
Matt Drayton (Spencer Tracy) is surprised when his daughter, Joanna (Katharine Houghton) comes home early from her vacation. Not only is her arrival a surprise, but the fiancé she has brought with her is unexpected as well. John Prentice (Sidney Poitier) is a black man, which gives both Matt and his wife, Christina (Katharine Hepburn) an uneasy feeling, even though they taught their daughter racial equality. Matt struggles with giving his blessing for the upcoming nuptials as he recognizes the interracial couple will have many challenges ahead of them. Through the convincing of his friend, Monsignor Mike Ryan (Cecil Kellaway) and his wife, Matt eventually relents as he realizes the truth of the matter: all marriages will have hardships, but what matters most is that the two individuals getting married love each other.
Father of the Bride
Rating: Not Rated
Length: 92 minutes / 1.53 hours
Considering the prestige that comes with being nominated for an Oscar, Spencer Tracy has racked up the most prestige over the years. Tied with Laurence Olivier for most nominations, Tracy received nine nods for Best Actor. After his first nomination for his role in San Francisco (1936), he would then go on to win the next two years via the films Captains Courageous (1937) and Boys Town (1938). It then took almost a decade before he was nominated again. This nomination was for Father of the Bride (1950), at which point the nominations started to flow again for films like Bad Day at Black Rock (1955), The Old Man and the Sea (1958), and Inherit the Wind (1960). With Inherit the Wind, Tracy teamed up with director Stanley Kramer, earning himself two more nominations for the three additional films they did together, Judgment at Nuremberg (1961) and Guess Who’s Coming to Dinner? (1967) being slightly more auspicious than It’s a Mad, Mad, Mad, Mad World (1963).
Marriage seems to be a favorite theme with Spencer Tracy films, as evidenced by Father of the Bride. No matter how much Stanley T. Banks (Spencer Tracy) could prepare for it, eventually his daughter, Kay (Elizabeth Taylor) would grow up and marry someone she loves. While he’s fine with it now, his anxiety affected the whole engagement process as he drank too much and passed out in the home of his future son-in-law’s parents’ house. Not wanting to spend too much money on this wedding, Stanley soon realizes the whole thing is ballooning out of his control. Murphy’s Law is in full force as the clock ticks down to the big day, with last-minute reconciliations between the bride and groom merely mirroring the number of conflicts and problems revolving around the wedding reception at the Banks’ house. With the wedding now over, Stanley watches as his little girl drives off for her honeymoon.
2 sum it up: 2 films, 2 stupendous Spencer Tracy roles
Bacon #: 2 (The Mountain / Robert Wagner -> Wild Things / Kevin Bacon)