#294. Haley Joel Osment

Have you ever noticed how some actors come in and out of relevance? Sometimes these actors use their success in one medium, like Television, to jump the gap to another medium, like movies. While I can’t say I’ve ever seen any Game of Thrones, I’ve seen plenty of the actors from it in a variety of different films. Even within the realm of cinema, an actor seems to be in almost everything for a couple of years, then fades into obscurity. Often, this is linked to receiving an Academy Award for acting, as they have now proven their merits as an actor, thus making them desirable for marketing purposes for other films. Sometimes this is due to a certain “look” an actor can provide, and once they change it (or grow out of it) they have trouble regaining their former glory. This week’s two films examine the former relevance of Haley Joel Osment.

Secondhand LionsSecondhand Lions
Year: 2003
Rating: PG
Length: 109 minutes / 1.82 hours

From 1994 to 2003, Haley Joel Osment was relevant in the realm of cinema. His first appearance on film as Forrest Gump Jr. in Forrest Gump (1994) gave him the springboard he needed to eventually star in other films. While his success as an actor came with The Sixth Sense (1999), he also had many notable performances, including the society-changing Trevor McKinney in Pay it Forward (2000). While Osment took two 3-year hiatuses, none of his recent films have captured that youthful charm that people recognized from his first decade of acting. Of course, perhaps his voice acting work, which he performed while in relevance as well as afterward, was merely his next medium. In fact, most people who have played any of the Kingdom Hearts video games will recognize his voice as that of the main character, Sora.

Walter Caldwell (Haley Joel Osment) finds himself abandoned by his mother when he arrives at the home of his great uncles, Hub (Robert Duvall) and Garth (Michael Caine). These brothers are leery of Walter, as they suspect he has been dumped on them to gain access to their rumored fortune. The crotchety old men eventually warm up to the teenager as he helps them acquire items to make their life a little more interesting. Due to their developing relationship, Walt learns the truth of his great uncles’ adventures might not be so far from the rumors’ claims. When his mother appears again, with a scoundrel boyfriend in tow, she tries to use Walter to gain access to the brothers’ fortune. However, an old lioness that Hub bought and was accidentally released into the cornfield comes to Walt’s rescue, thus solidifying Hub and Garth’s relationship with the boy as his guardians.

The Sixth SenseThe Sixth Sense
Year: 1999
Rating: PG-13
Length: 107 minutes / 1.78 hours

By now, we all know Haley Joel Osment’s most famous line from The Sixth Sense (1999), “I see dead people.” This line, along with his performance in the film, cemented him as one of the premier child actors of his time. In fact, his nomination for Best Supporting Actor only helped him to secure future film roles with big directors like Steven Spielberg, eventually appearing in A.I. Artificial Intelligence (2001). Of course, as is the fate of most child actors, puberty set in and his relevance changed. It’s a little weird to see an actor who used to be that baby-faced, token child in a film now with a beard and a couple extra pounds on their frame. Still, Osment has continued to work in cinema, even if the films he’s appearing in now aren’t nearly as notable or critically acclaimed as they once used to be.

The eponymous “Sixth Sense” of this film is held by none other than Cole Sear (Haley Joel Osment). He admits to be able to see the ghosts of dead people walking around as if they were alive. This admission is to Dr. Malcom Crowe (Bruce Willis), a child psychologist who failed a former patient and was shot as a result. Cole uses his ability to help the ghosts attain a sense of closure with the world they left behind. With Dr. Crowe’s help, Cole reveals the true cause of the death of a young girl, thus saving the girl’s younger sister in the process. Despite the constant presence of ghosts in his life, Cole accepts the responsibility and begins to enjoy his life. After telling his mother of his ability, she is initially skeptical, but is convinced when he reveals details of her life and interactions with his dead grandmother. Meanwhile, Dr. Crowe comes to a shocking revelation of his own.

2 sum it up: 2 films, 2 heyday roles for Haley Joel Osment

Bacon #: 2 (Forrest Gump / Tom Hanks -> Apollo 13 / Kevin Bacon)

#293. Lions

Often described as “the King of the Jungle”, lions have consistently been used as symbols of bravery, strength and power. While they have been abused in many venues, from gladiatorial coliseums to circus tents, they still remain as one of the most dangerous forces of nature (along with tigers and bears . . . oh my). In part due to their danger to humans, they are often hunted to maintain safety as much as they are for notoriety of big game hunters; sometimes to great, public outrage, as was the case with Cecil the lion. And while the lion is used in heraldry, as a constellation, and as a rank for Cub Scouts, very few films use lions as main, or even secondary, characters. It would almost seem they’re as rare in the realm of cinema as they are in the real world. This week’s two films highlight some movies that feature lions.

The Lion KingThe Lion King
Year: 1994
Rating: G
Length: 89 minutes / 1.48 hours

Part of the reason why lions aren’t more prominently featured in movies, aside from the opening credits logo for MGM, is because animals can’t talk. It’s difficult to have a main character who can’t emote through dialogue carry a story. Therefore, one of the options to give lions dialogue is through animation. One of the earliest animated lions was Kimba the White Lion, a Japanese anime that ran from 1965 to 1967. Recently, the series of CGI-animated Madagascar films have featured Ben Stiller as Alex the Lion, an animal kept in captivity in the Central Park Zoo. Most famously, the best animated film featuring lions was none other than The Lion King (1994). Even though there was some controversy around its similarity to Kimba the White Lion, The Lion King has remained popular despite this.

Mufasa (James Earl Jones) leads a pride of lions in the Pride Lands of Africa. His brother, Scar (Jeremy Irons), has been plotting to usurp the throne from him, but once Simba (Jonathan Taylor Thomas) is born, he is now one step lower on the hierarchical ladder to become king. By using a stampede of wildebeest, Scar manages to kill Mufasa and convince Simba it was the young cub’s fault. Running away to exile himself in the jungle, Simba grows up amongst his newfound friends, Timon (Nathan Lane) and Pumbaa (Ernie Sabella). Years later, with the Pride Lands in ruin, Simba (Matthew Broderick) returns to confront his uncle. Learning the truth of his father’s demise and accepting his rightful place as king, Simba defeats Scar and starts the “circle of life” over again with a child of his own.

Secondhand LionsSecondhand Lions
Year: 2003
Rating: PG
Length: 109 minutes / 1.82 hours

An interesting way to play off of stereotypes is to create characters who exhibit the opposite traits. Sure, there are plenty of lions who represent strong ideals, like Aslan from the Chronicles of Narnia series. Still, a cowardly lion, like the one found in The Wizard of Oz (1940), is much more entertaining because he doesn’t act like one would expect a lion to act. Similarly, Alex the Lion from Madagascar (2005) was given his meat to him by zoo caretakers, thus depriving him of any hunting skills. Even the rehabilitated lion from Secondhand Lions (2003) became more like a housecat than a dangerous predator. However, just because a lion doesn’t act the way we think it should, we are often initially cautious because of the warnings about lions we have heard time and again over the years.

Brothers Hub (Robert Duvall) and Garth (Michael Caine) McCann were content living out the rest of their remaining days shooting at travelling salesmen and performing risky stunts. Unfortunately, their niece dropped her son, Walter Caldwell (Haley Joel Osment), off at their country home. As the teenage boy and his great uncles get to know each other, they eventually grow close. After Hub orders a retired lion from a circus, he’s disappointed to learn the lioness is tame, since he wanted to hunt the beast and mount its head on his wall. Escaping from her cage, the lioness adapts to the cornfield and makes it her territory. While Walter learns that the rumors of his great uncles’ wealth and adventures are true, his mother arrives to try and claim the fortune. It’s at this point when the old lioness steps in to protect Walter, giving him the ability to separate himself from his lyin’ mother for good.

2 sum it up: 2 films, 2 likeable lions

#292. Animated Classic Literature

Anyone who grew up during the late 1990’s is probably familiar with the PBS show, Wishbone. As a child soon to be headed into junior high, I enjoyed the show at face value, but deep down in my subconscious I was learning about classic literature. For years, these episodes were my only exposure to famous pieces of literature, and thus my only knowledge of their plots until I read some of them many decades later. Disney has also done a pretty good job of adapting many classic tales to the big screen. Through their animation studio, many fairy tales were memorably created and still remain almost as the de-facto versions of their source material. That being said, some of the adaptations weren’t as obvious as others. This week’s two films look at some classic literature in an animated format.

Treasure PlanetTreasure Planet
Year: 2002
Rating: PG
Length: 95 minutes / 1.58 hours

Up until the 21st Century, Disney had animated many well-known stories from various sources. From fairy tales to short stories to novels, much of their source material was in the public domain. Once the new millennium came around, they started to create some original stories like The Emperor’s New Groove (2000), Atlantis: The Lost Empire (2001) and Lilo & Stitch (2002). While this trend has mostly continued, there were a few films animated during this timeframe that held to the formula of adapting classic literature. While being thinly veiled as something different, Treasure Planet (2002) was an almost-direct adaptation of the Robert Louis Stevenson novel, Treasure Island, merely with sci-fi trappings available via new, 3-D animation techniques (with traditional, 2-D animation being interposed on top of it).

Just like any other teenager, Jim Hawkins (Joseph Gordon-Levitt) has a longing for adventure. While Alponian solar cruising works for the time being, when he is given a map by the pilot of a crashed spaceship, he sets out to find where it leads. Despite the final words of the pilot warning Jim to “beware the cyborg”, one of the friends he makes while aboard the RLS Legacy is none other than half-robot cook, John Silver (Brian Murray). After taking control of the ship during a mutiny he planned, Silver lets Jim and some ousted leaders of the ship escape to Treasure Planet. Once on the planet, the original crew finds a robot by the name of B.E.N. (Martin Short) who has literally lost his memory. In searching for the robot’s missing piece, Jim discovers that the map is also able to open portals, including to the center of the planet where the treasure is stored. Unfortunately, this triggers the planet to explode, forcing them to abandon the treasure.

The Lion KingThe Lion King
Year: 1994
Rating: G
Length: 89 minutes / 1.48 hours

Most kids who go to see an animated film won’t necessarily pick up on the source material like their parents will. Even famous films like The Great Escape (1963) and Seven Samurai (1954) have received the animated treatment in Chicken Run (2000) and A Bug’s Life (1998), respectively. While I enjoyed these animated films as a child, it wasn’t until I was older that I realized I’d seen these plots somewhere else before. Unlike Treasure Planet (2002), it took me some time to realize The Lion King (1994) was William Shakespeare’s Hamlet in disguise. Even though it’s not a direct adaptation, many of the main characters are there. Simba is Hamlet, Scar is Claudius, and even Timon and Pumbaa are Rosencrantz and Guildenstern. Obviously, some of the more violent and dramatic moments from the play were toned down in the animation, but the main thrust of Hamlet still lies there in the African plains.

Simba (Jonathan Taylor Thomas) is the male cub born to Mufasa (James Earl Jones), the leader of a pride of African lions. Because Simba is now next in line to the throne, Scar (Jeremy Irons) sets about trying to kill both Mufasa and Simba so he can become king. While his plan to use a wildebeest stampede to kill them both only kills Mufasa, Scar convinces Simba it’s the cub’s fault and forces him into exile. Simba (Matthew Broderick), having now grown up in the jungle with his friends Timon (Nathan Lane) and Pumbaa (Ernie Sabella), returns to the Pride Lands to confront his uncle Scar. Along the way, he is visited by the ghost of Mufasa, who tells him he is the rightful king of the land. Once back home, with the help of the lionesses, Simba fights Scar and eventually wins, sending him into exile. Unfortunately, Scar’s hyena henchmen have different plans, as they overheard him betray them to everyone.

2 sum it up: 2 films, 2 different Disney adaptations

#291. Treasure Island

Like many of the classics of literature created over the centuries, Treasure Island has seen a number of different film adaptations over the years. This adventure, written by Robert Louis Stevenson in the late 19th Century, is the basis of much of our fictional understanding of pirates. We likely wouldn’t have X-marked treasure maps or one-legged sailors with parrots were it not for this novel. What’s interesting is the differing variety of film adaptations of this work. They have come in many varieties and interpretations including animated films, films with puppets, and science fiction retellings. The story itself has also transcended international boundaries, having been adapted in Russian, Japanese, French, and Italian. This week’s two films look at some unique adaptations of the classic tale of Treasure Island.

Muppet Treasure IslandMuppet Treasure Island
Year: 1996
Rating: G
Length: 99 minutes / 1.65 hours

Those who are familiar with the Muppets know that these comedic puppets often represent real animals. From Fozzie Bear to Kermit the Frog to Miss Piggy, each of these animals has their own personality and characterizations. However, Muppet Treasure Island (1996) was not the first adaptation of this story to feature animals as some of the characters. The Japanese animated film, Animal Treasure Island (1971) pre-dates the Muppet film by a few decades. They can’t even claim a mixture of live-action and another medium (like puppetry or animation), because the two-part Russian version of Treasure Island (1988) interspersed live-action sequences with animated ones (albeit, not as well as other films have done) to tell the tale of mutiny on the high seas. Still, having a version of the story done by the Muppets gives a comedic look at this treasure-hunting adventure.

Upon receiving a treasure map from his friend, Billy Bones (Billy Connolly), Jim Hawkins (Kevin Bishop) and his friends Gonzo and Rizzo set out to find the treasure. Unfortunately, once they are able to board a ship that will take them there, a mutiny breaks out amongst the pirates of the crew. Bones had warned Jim of a man named “Long John Silver” (Tim Curry), who was the cook of the ship until he took over as captain during the mutiny. Silver and Jim had already developed some semblance of a friendship, so his treachery makes Jim unable to trust the former cook. Once on the island, the pirates finally discover the hiding place of the treasure using the map, only to learn that the locals, led by Benjamina Gunn (Miss Piggy) have taken the treasure somewhere else. With the crew able to defeat the pirates and re-commandeer the ship, Silver is left alone on a desert island while Jim becomes a naval captain.

Treasure PlanetTreasure Planet
Year: 2002
Rating: PG
Length: 95 minutes / 1.58 hours

Disney has been no stranger to the story of Treasure Island. In fact, their very first, completely live-action film was none other than Treasure Island (1950). This version even holds the distinction of being the first adaptation of the story made in color. If we include the aforementioned Muppet version of Treasure Island with this 1950 version, Disney has done three different adaptations of the same story. While the genre-crossing, sci-fi adaptation of Treasure Planet (2002) is certainly a new way of telling Robert Louis Stevenson’s story, it wasn’t even the first time it had been done. Treasure Island in Outer Space (1987) (or Il Pianeta Del Tesoro in its original Italian) sets the classic tale in the year 2300 in outer space. While this Italian version had Anthony Quinn portraying Long John Silver, something about the unlimited capability of animation made Treasure Planet much more the visual spectacle.

As a child, Jim Hawkins (Joseph Gordon-Levitt) was inspired by the tales of Captain Flint, a pirate who was rumored to arrive and depart almost instantaneously from the ships he ransacked. Now a teenager being raised by his single mother, Jim finds a crashed spaceship near their inn and is given a holo-orb by the pilot of the ship, Billy Bones (Patrick McGoohan), along with a warning to watch out for a cyborg. Recognizing the orb is a map to Flint’s “Treasure Planet”, Jim boards the RLS Legacy and is sent to work in the galley with the half-robot cook, John Silver (Brian Murray). Silver is revealed to be the “cyborg” mentioned earlier by Bones as he leads the crew to mutiny. This forces Jim to use the orb, which is revealed to open portals to anywhere in the universe, including the center of Treasure Planet, where the booby-trapped treasure horde is now set to explode.

2 sum it up: 2 films, 2 Treasure Island tales

#290. Muppet Adaptations

Since their big arrival in the 1970’s, the Muppets have managed to make their mark on popular culture. Most of this is due to Jim Henson’s unique and fanciful style of puppetry. While his puppets have taken different forms, from the kid-friendly monsters of Sesame Street, to the underground cave dwellers of Fraggle Rock, to David Bowie’s minions in Labyrinth (1986), the one segment of Jim Henson’s repertoire that has consistently endured over the decades has been the Muppets. While their early films focused on the Muppets interacting with the world, it has taken a long time for them to return to these types of films. In the 1990’s, prior to a twelve-year hiatus, the Muppets took to the big screen to recreate some famous stories from classic literature. This week’s two films highlight these films.

                                                   The Muppet Christmas CarolThe Muppet Christmas Carol
Year: 1992
Rating: G
Length: 85 minutes / 1.41 hours

The Muppets have always been a group focused on comedy. What makes the choice to adapt Charles Dickens with Muppets interesting is that Dickens is rarely considered a comedic writer. Sure, he has his moments of satire and wit, but they are very British by any standard of comedy. This dichotomy somehow works for this film, as it had almost a decade earlier for the animated Mickey’s Christmas Carol (1983). In fact, since the musical, Scrooge, in 1970, the only film adaptations of A Christmas Carol have been animated, with the only semi-live action version being that of The Muppet Christmas Carol (1992). Classifying the Muppets is a difficult task because they aren’t animated, but they aren’t really “live action” either . . . lying somewhere in between. Needless to say, The Muppet Christmas Carol remains as one of the most popular adaptations today because of its Muppet comedy.

Bob Cratchit (Kermit the Frog) is a bookkeeper for Ebenezer Scrooge (Michael Caine), a stingy and greedy old man whose only focus is on one thing: money. On Christmas Eve, Bob asks if he and the other bookkeepers can have Christmas Day off, as it is considered a holiday. Initially declining the request, Scrooge eventually relents and goes home for the night. As he dozes off for the night, Scrooge is awoken by apparitions from his past, warning him to change his miserly ways. For the next three hours, he is taken on tours of his life by the ghosts of Christmas Past, Christmas Present, and Christmas Yet to Come, respectively. With each vision into better times, Scrooge’s attitudes change, finally being pushed over the edge by the depressing vision of the future. Awakening on Christmas Day, Scrooge is now a changed man and heads to Bob Cratchit’s house with some generous gifts to prove it.

Muppet Treasure IslandMuppet Treasure Island
Year: 1996
Rating: G
Length: 99 minutes / 1.65 hours

In the hiatus between 1999 and 2011, where no Muppet films made their way to the big screen, they still managed to create a few made-for-TV movies. From the It’s a Wonderful Life-esque It’s a Very Merry Muppet Christmas Movie (2002) to The Muppets’ Wizard of Oz (2005), they’ve tackled some classic films with their adaptations. Before this, their last film adaptation of a classic piece of literature was none other than Muppet Treasure Island (1996). As is the case with most all of the Muppets’ productions, many of the main characters of these stories are portrayed by famous actors and actresses. In the aforementioned The Muppet Christmas Carol (1992), Michael Caine played Ebenezer Scrooge, whereas in Muppet Treasure Island (1996), Long John Silver was portrayed by Tim Curry. If anything, the Muppets are merely a vehicle to get celebrities more exposure for their career.

Jim Hawkins (Kevin Bishop) is entrusted by his friend, Billy Bones (Billy Connolly) to keep the treasure of Captain Flint (David Nicholls) safe. This is shortly before Bones dies from receiving a black spot from one of his former crewmates. Now Jim and his friends, Gonzo and Rizzo, board a ship to find the treasure. Once on board, Jim becomes friends with the shady, one-legged cook, Long John Silver (Tim Curry). After Silver and most of the rest of the crew mutiny, they take Jim ashore to help them find the treasure. Being an upstanding orphan, Jim doesn’t give into Silver’s request to use his deceased father’s compass to aid in the treasure hunt. Even despite this setback, the pirates still find where the treasure was buried, only to learn that it has disappeared. The pirates are then subdued by the loyal crew of the ship and the mutinous Silver is exiled to the island as Jim sails on to a better life.

2 sum it up: 2 films, 2 Muppet masterpieces

#289. Charles Dickens

Much like William Shakespeare, Charles Dickens is one of the most adapted authors ever to have lived. While the number of adapted works of Dickens isn’t necessarily large, especially when compared against those of Philip K. Dick, the sheer number of times Dickens’ writing has been adapted is what gives him this distinction. One does have to wonder if the prolific amount of adaptations has to do with the singular fact that Dickens’ name caries a certain amount of gravitas with it. Of course, his writings have withstood the test of time, even if their original context and political satire might be lost on modern audiences. If anything, these adaptations may be the only exposure to Dickens most people will experience. While we’ll feel guilty about having not read The Pickwick Papers, at least we’d know what it was about. This week’s two films highlight some unique adaptations of Charles Dickens’ works.

Oliver!Oliver!
Year: 1968
Rating: G
Length: 153 minutes / 2.55 hours

When it comes to recognition from the Academy Awards, Dickens is definitely in the same class as Shakespeare. Both have had four of their adapted stories turned into films that won nominations for Best Picture. Both have had one of their stories win said Best Picture Oscar. Both aforementioned Best Pictures were also musicals. On Shakespeare’s side, we have Midsummer Night’s Dream (1935), Henry V (1944), and Julius Caesar (1953) as nominees and West Side Story (1961) as Best Picture (with Romeo and Juliet being nominated in 1936 and 1968 as well). In terms of Dickens’ achievements, there’s David Copperfield (1935), A Tale of Two Cities (1935), and Great Expectations (1946) as nominees and Oliver! (1968) as Best Picture. The fact that the 1960’s saw two literary musical adaptations win Best Picture merely shows you what kind of decade it really was.

To quote another famous, musical orphan, Oliver Twist (Mark Lester) had a “Hard Knock Life”. Shuffled from an orphanage to the service of an undertaker, the young boy finally escapes and travels to London to start a new life. Because he has no family or connections in London, Oliver is soon taken in by a gang of thieves and pickpockets. While he doesn’t necessarily want to commit these crimes, he still needs to eat. After he’s accused of stealing a wallet from a Mr. Brownlow (Joseph O’Conor), a bookseller comes to Oliver’s rescue with the truth of his innocence. Partly because Oliver reminds him of his niece, Brownlow decides to take Oliver home with him. Despite the luxury Oliver now finds himself in, his past acquaintances kidnap him and attempt to bring him back into a life of crime. The golden heart of a barmaid is the only piece of hope Oliver has of being saved.

The Muppet Christmas CarolThe Muppet Christmas Carol
Year: 1992
Rating: G
Length: 85 minutes / 1.41 hours

Just like we’ve seen a huge amount of Romeo and Juliet retellings, there have been plenty of versions of A Christmas Carol. I would wager that any holiday-themed story will be retold as long as that holiday remains relevant. Heck, even if it’s not relevant, people will continue to “celebrate” by reading or watching these stories. From watching Groundhog Day (1993) on Groundhog Day, to Independence Day (1996) on the Fourth of July, to V for Vendetta (2006) on Guy Fawkes Day, there are plenty of obscure holidays to celebrate with a movie. But Christmas always takes the cake in terms of holiday-themed adaptations. Of these adaptations, none is more recognizable than Charles Dickens’ A Christmas Carol. Because it is such a timeless story, it has been reproduced in a large number of mediums, including puppetry (as seen in The Muppet Christmas Carol (1992)).

Narrated by Charles Dickens (Gonzo the Great), The Muppet Christmas Carol follows Ebenezer Scrooge (Michael Caine), a miserly old man who has pushed everyone close to him away. Because the following day is Christmas, Scrooge’s employee, Bob Cratchit (Kermit the Frog), asks for all the bookkeepers to get the holiday off. After begrudgingly agreeing to Cratchit’s terms, Scrooge arrives at his home and spends the night alone only to be awoken by the ghosts of his past: Jacob and Robert Marley (Waldorf and Statler). They warn him that his current path will lead to his demise. To emphasize the point, three more spirits visit him in the night and show him what once was, what could be, and what is to come. Gradually, Scrooge realizes the error of his ways and wakes up the next day full of the Christmas spirit.

2 sum it up: 2 films, 2 Dickens adaptations

#288. Orphans

While orphans are often considered to be some of the most disenfranchised people-groups in the world, there certainly seem to be a large number of them as main characters in a number of films. Granted, this is an artifact of a few different genres, most of which want to give the protagonists enough flexibility to go on adventures without being tied down to a home life. Even the ones who do have guardians either don’t have the best ones (as in the “step-mother” archetype) or experience tragedy again when these guardians are also killed. Despite the number of orphans decreasing in the real-world due to better survival rates for parents, somehow the stories of orphans always seem to find interested audiences. Some may fault the writers of these stories for this common ploy, but if it keeps working over centuries of writing, there must be some merit to it. This week’s two films feature orphans as their main characters.

                Lemony Snicket’s: A Series of Unfortunate Events
Lemony Snicket's: A Series of Unfortunate EventsYear: 2004
Rating: PG
Length: 108 minutes / 1.8 hours

In part due to the fact that there are less orphans in the world than there used to be, less authors are using them in their stories. That being said, there are still a number of notable literary orphans, the most famous of which is Harry Potter. With the rise of the popularity of superhero movies, we also see that many of their main characters are orphans as well. In fact, some have given Batman v Superman: Dawn of Justice (2016) the facetious title of “Orphan Fight”. Even Marvel superheroes have this trait as well, including Spider-man and Captain America. This trait isn’t even constrained to American comic books, as the long-running Japanese manga, Naruto, had its eponymous character orphaned during a disaster that hits his home village. While many of these orphans have no siblings, one notable group of orphans is the Baudelaire children of Lemony Snicket’s: A Series of Unfortunate Events (2004).

After the mysterious death of their wealthy parents, the Baudelaire children find themselves in the care of their unscrupulous uncle, Count Olaf (Jim Carrey). When the children narrowly avoid an accident with a train, they are taken to live with their other uncle, Dr. Montgomery Montgomery (Billy Connolly). Through unfortunate circumstances involving his beloved reptiles, Dr. Montgomery is killed and the children are then moved to live with their Aunt Josephine (Meryl Streep). Olaf appears again and lets some ravenous leeches kill Josephine. With the children now under his control again, he puts on a play about a wedding with the eldest child, Violet (Emily Browning). Unfortunately, the play is not an act and Olaf now stands to inherit the children’s bequeathed fortune. Fortunately, the two younger Baudelaires save their sister from her marriage while also learning of the source of the fire that killed their parents.

Oliver!Oliver!
Year: 1968
Rating: G
Length: 153 minutes / 2.55 hours

To many it may seem strange that orphans are as musical as they appear in film, but we can certainly blame Disney for this oddity. I know I wouldn’t want to sing in the tragic circumstances of an orphan, but time-and-again we find Disney princesses (as well as other main characters animated by them) cheerily singing despite their lack of parents. This is probably because many of the Disney stories are pulled from old stories, where parents often died from a variety of factors. Even Disney’s most recent success, Frozen (2013), features two women orphaned by a shipwreck that killed their parents. Outside of Disney, there are still examples of musical orphans, including that of Lil’ Orphan Annie, who has had many musical adaptations. But, above all these is the most famous orphan of all: Oliver Twist. The musical adaptation in 1968 won Best Picture, as well as five other Oscars.

Oliver Twist (Mark Lester) has a difficult life as an orphan. After asking for more food at the orphanage, the owners sell him into the service of an undertaker. When he gets in trouble, he’s locked in the basement only to escape and head to London. Once in the big city, he becomes involved with a gang of pickpockets and thieves. Wrongfully accused for a crime, Oliver is almost sent to prison were it not for a bookseller who witnessed the crime and could exonerate the orphan. The victim decided to bring Oliver home in the process. Unfortunately, even though Oliver now lives in a life of relative luxury, his past comes back to haunt him. Some of the thieves find Oliver and force him back into stealing. Meanwhile, his benefactor goes about trying to prove that Oliver is the child of a niece of his. Tragedy ensues as a friendly barmaid tries to help Oliver escape the clutches of the thieves, but justice eventually prevails.

2 sum it up: 2 films, 2 outstanding orphans