#327. Russian Revolution

Sometimes the status quo doesn’t work for everyone. When an enormous divide between people groups appears, it’s usually only a matter of time before their differences spiral into conflict. Whether these divisions are due to race or wealth, if a peaceful compromise cannot be achieved through words, a revolution is bound to arise. Often, these revolutions are instigated by the people group who feels oppressed by the current state of affairs. If this group is big enough, they can enact a change to their benefit through sheer force alone. The 1917 Russian Revolution was just such a revolt. It’s a little odd to think it’s now been just over 100 years since this country changed from a monarchy to the communist state we see today. This week’s two films highlight the effects the Russian Revolution had on different people groups within the former empire of Tsar Nicholas II.

Year: 1997
Rating: G
Length: 94 minutes / 1.56 hours

On one side of the Russian Revolution, we have the aristocracy. I’m sure that monarchs like Tsar Nicholas II would like to have peace within their countries. Even if the people don’t get to choose the leader, the whole system works better if the king and his subjects are on agreeable terms. That being said, people will often look out for their best interests before thinking about others. Consequently, wealth and comfort tend to flow up to the rulers in these political systems, leaving the working man destitute and angry. Despite the Russian Revolution balancing this inadequacy, the royal family was still just that: a family. It is easy to villainize your opponents to justify harsh actions, but sometimes we forget that the opposing side is comprised of people not too different from ourselves. No family should have to endure losing a daughter, even if they are wealthier than the common man.

While not historically accurate, Anastasia (1997) follows the titular Russian Grand Duchess as the events of the Russian Revolution cause her to be separated from her family. Angry about being exiled for treason, Grigori Rasputin (Christopher Lloyd) curses the royal family with a magical device he obtained by selling his soul. As the revolt ramped up, Anastasia (Meg Ryan) became separated from her family, receiving an amnesia-inducing bump on the head in the process. A decade later, former servant boy, Dimitri (John Cusack), is aiming to collect the reward for the safe return of the missing Anastasia. Even though he identifies the real Anastasia as a dead ringer, he soon realizes she’s the real thing. Unfortunately, Rasputin has also realized the last heir of the royal family is still alive and sets out to capture and kill her. Upon meeting her grandmother in Paris, Anastasia regains her memories and defeats Rasputin.

Doctor ZhivagoDoctor Zhivago
Year: 1965
Rating: Approved
Length: 197 minutes / 3.28 hours

Winston Churchill is quoted as saying, “History is written by the victors.” If the films made after the Russian Revolution about the revolt are any indication, this is a true statement. Even a single decade after the change in politics, Sergei Eisenstein made October: Ten Days That Shook the World (1927), which has been hailed as one of the best works of cinema. Similarly, Reds (1981) received a nomination for Best Picture, as did Doctor Zhivago (1965). The one film that carries a caveat is Animal Farm (1954) since it is used as propaganda to highlight the dangers of the Russians’ new way of thinking. At any rate, many of these films show the Russian Revolution from the perspective of the common man. It becomes clear that change was inevitable, especially from those who just want to live their lives, Doctor Zhivago being the best example of this.

During a peaceful demonstration in 1913, Yuri Zhivago (Omar Sharif) uses his medical skills to treat one of the dissenters, meeting Lara (Julie Christie) in the process. When World War I starts, Yuri is drafted as a battlefield doctor while Lara enlists to be a nurse as she searches for her friend Pasha (Tom Courtenay). Upon their return home, the February Revolution of 1917 causes Zhivago to ask Lara to help him take care of the wounded. It’s at this time that the two fall in love, despite Yuri already being married. His poet’s heart continues to beat for Lara as he remains faithful to his wife. Unfortunately, his poems are seen to be anti-Communist which forces him to escape to the countryside. Of course, this is after he is accidentally conscripted to be part of the revolutionary army against his will. When he finally arrives, his family is gone, and he is finally able to live his life with Lara.

2 sum it up: 2 films, 2 repercussions from the Russian Revolution


#314. Stockholm Syndrome

Hollywood has often been accused of glamorizing characters and plots that are downright unrealistic. Often, these characters will act in a way that is seen as completely illogical, often just to get the plot to the climax it needs. Women in romantic comedies can be found in relationships with jerks to highlight the “good guy” difference in the male protagonist. Similarly, some dramas show women in abusive relationships, unable to leave due to their illogical love for the guy. While this latter example is more realistic, it highlights something usually seen in hostage situations: Stockholm syndrome. These survival instincts may be illogical in any normal situation, but in the high-stress and dangerous hostage situation, this coping mechanism helps hostages to survive, even if the effects last long after the incident is over. This week’s two films examine some examples of Stockholm syndrome.

Year: 2010
Rating: PG
Length: 100 minutes / 1.67 hours

“There’s no place like holm . . . Stockholm.” One of the negative aspects of many Disney films is that they are largely based on stories from a much different time. While the stories themselves are usually harmless, there are often boundaries and more adult concepts that need to be discussed with small children. Snow White couldn’t give her consent to being kissed, even if it would break her curse. Ariel’s relationship with Prince Philip couldn’t work because she wasn’t able to communicate, and communication is the key to a good relationship. Aladdin’s relationship with Princess Jasmine was founded on lies, which isn’t a good way to start a relationship. The only reason Rapunzel didn’t escape her captor earlier is that she grew to love her “adopted mother,” even after the verbal abuse Mother Gothel used to keep her trapped in the tower.

For eighteen years, Rapunzel (Mandy Moore) has lived in a tower with her “mother” Gothel (Donna Murphy). While Rapunzel understands the intrinsic reason for her solitary confinement is to protect her from the dangerous world outside, she still longs to see the world beyond her window. What she doesn’t know is that Gothel stole her from her birth parents because she possesses a magical power in her hair to heal; a power that Gothel has used for hundreds of years to remain young. When a thief by the name of Flynn Rider (Zachary Levi) accidentally finds his way into her tower, Rapunzel sees an opportunity to escape. Unfortunately, now she is torn about going to see the annual lantern lift-off, as it could damage her relationship with Gothel. It’s not until she realizes she’s the missing princess that she breaks the “spell” Gothel had over her and truly tries to escape in earnest.

Dog Day AfternoonDog Day Afternoon
Year: 1975
Rating: R
Length: 125 minutes / 2.08 hours

If Hollywood movies are any indicator, one of the most frequent locations for a hostage situation to take place is in a bank. Bank robberies seem to be common and it’s difficult to do during daylight hours without involving a few innocent civilians. Consequently, if these hostage situations take too long, then Stockholm syndrome has more time to take hold. There are a few thought patterns that can develop into Stockholm syndrome, including the development of positive feelings toward their captor, believing in the humanity of their captor, no previous connection or relationship to their captor, and lack of cooperation with the authorities sent to help them. Any one of these ways of thinking can lead to a false sense of safety in the hands of someone who by all logical indicators is a dangerous individual.

During the dog days of summer, Sonny (Al Pacino), Sal (John Cazale), and Stevie (Gary Springer) head into the First Brooklyn Savings Bank in an attempt to rob the place. Unfortunately, their timing couldn’t have been worse. Not only is there a measly $1,100 left in the vault, but soon the police are alerted of the situation after Stevie runs away. Now Sonny and Sal have decided to sit it out in the bank, along with everyone else who happened to be in there when they started their two-bit scheme. Sonny tries to keep the hostages comfortable, allowing one of them to go when they have an asthma attack. He even goes so far as to request that the police bring in pizzas for the hostages. As the hours tick on by, everyone learns why Sonny needed the money, which helps to humanize his plight. Eventually, both robbers get their demands met and are driven to the airport, where they find one final surprise waiting.

2 sum it up: 2 films, 2 helpful hostages

#313. Grimm Fairy Tales

With the resurgent popularity of fairy tales having reached its apex a few years ago, it was interesting to note that many of these children’s stories were collected together by only a handful of people. Originally, these stories were meant to scare children into obeying their parents, but over time they evolved into less violent plotlines. While we might consider Hans Christian Andersen to have penned many of these classic fairy tales, like The Little Mermaid, The Emperor’s New Clothes, The Snow Queen, and The Ugly Duckling, Andersen actually came after the Grimm brothers. Despite not necessarily being the original authors of their collected fairy tales, these brothers were the first to bring these stories together in a single, cohesive format. This week’s two films highlight a few adaptations of these Grimm fairy tales.

The Brothers GrimmThe Brothers Grimm
Year: 2005
Rating: PG-13
Length: 118 minutes / 1.97 hours

Most people will know that the fairy tales we are told when we are children aren’t real. The characters and scenarios that once taught a lesson were manufactured for education on how to behave. Once they were collected together and written down for commercial purposes, these fairy tales became quite a bit more entertaining and much less terrifying. But what if these stories were based on something that actually happened? It has been said, “write what you know,” so if these Grimm brothers had actually experienced some of these fairy tales, it would then stand to reason that they would know about them and know how to transcribe them into a written form. This is the interpretation taken by the Terry Gilliam-directed film The Brothers Grimm (2005), combining together a number of known themes and motifs from the Grimm brothers’ fairy tales.

Both the Grimm brothers, Wilhelm (Matt Damon) and Jakob (Heath Ledger) don’t believe in supernatural forces. Of course, that doesn’t stop them from tricking villages out of their savings to rid the area of curses and witches. So, it comes to their surprise that a village where young girls are vanishing is actually due to a real paranormal entity. The evil Queen (Monica Bellucci) holed up in her tower has been absorbing the youth and beauty of many girls over her 500-year lifespan by drinking their blood. Each time the ceremony is performed, twelve girls are needed. With ten girls missing already, the Grimm brothers find that one of the girls of the village is the daughter to the werewolf woodsman (Tomáš Hanák) who has been placed under the Queen’s curse. In breaking his curse, Will manages to fall into an enchanted sleep that only Jake can reverse.

Year: 2010
Rating: PG
Length: 100 minutes / 1.67 hours

In 1937, Disney began their long history of adapting fairy tales into feature-length animated movies. Snow White and the Seven Dwarves (1937) was pulled from the Grimm fairy tale about Snow White. Even though they used fairy tales from other sources (like Hans Christian Anderson), they would return to these classic stories for many years to come. Cinderella (1950), Sleeping Beauty (1959), and The Princess and the Frog (2009) were all influenced at least in part by the fairy tales the Grimm brothers collected centuries ago. Up until 2010, these movies had maintained similar titles to their Grimm counterparts. What would have normally been titled Rapunzel ended up being renamed Tangled (2010). They took a similar naming convention three years later with Hans Christian Anderson’s The Snow Queen being titled Frozen (2013) and five years after that with the upcoming Gigantic (2018).

Mother Gothel (Donna Murphy) has lived for more than 500 years due to a plant she found that was grown from a single drop of sunlight. Since this plant has restorative powers, the nearby kingdom searched for it in order to save the Queen, who was ill during childbirth. Consequently, the flower’s powers were transferred into the hair of their daughter: Rapunzel (Mandy Moore), whom Gothel kidnaps and hides in a solitary tower. Years later, Rapunzel wants to see the world, unaware that her uncut hair is the only thing keeping her “mother” alive. As fate would have it, rogue thief Flynn Rider (Zachary Levi) finds this hidden tower and uses it to escape some palace guards. Rapunzel uses the opportunity of her first and only visitor to escape the tower to see the lanterns being released on her birthday in memory of her kidnapping. Will she find out who she truly is before Gothel captures her again?

2 sum it up: 2 films, 2 great Grimm fairy tales

#293. Lions

Often described as “the King of the Jungle”, lions have consistently been used as symbols of bravery, strength and power. While they have been abused in many venues, from gladiatorial coliseums to circus tents, they still remain as one of the most dangerous forces of nature (along with tigers and bears . . . oh my). In part due to their danger to humans, they are often hunted to maintain safety as much as they are for notoriety of big game hunters; sometimes to great, public outrage, as was the case with Cecil the lion. And while the lion is used in heraldry, as a constellation, and as a rank for Cub Scouts, very few films use lions as main, or even secondary, characters. It would almost seem they’re as rare in the realm of cinema as they are in the real world. This week’s two films highlight some movies that feature lions.

The Lion KingThe Lion King
Year: 1994
Rating: G
Length: 89 minutes / 1.48 hours

Part of the reason why lions aren’t more prominently featured in movies, aside from the opening credits logo for MGM, is because animals can’t talk. It’s difficult to have a main character who can’t emote through dialogue carry a story. Therefore, one of the options to give lions dialogue is through animation. One of the earliest animated lions was Kimba the White Lion, a Japanese anime that ran from 1965 to 1967. Recently, the series of CGI-animated Madagascar films have featured Ben Stiller as Alex the Lion, an animal kept in captivity in the Central Park Zoo. Most famously, the best animated film featuring lions was none other than The Lion King (1994). Even though there was some controversy around its similarity to Kimba the White Lion, The Lion King has remained popular despite this.

Mufasa (James Earl Jones) leads a pride of lions in the Pride Lands of Africa. His brother, Scar (Jeremy Irons), has been plotting to usurp the throne from him, but once Simba (Jonathan Taylor Thomas) is born, he is now one step lower on the hierarchical ladder to become king. By using a stampede of wildebeest, Scar manages to kill Mufasa and convince Simba it was the young cub’s fault. Running away to exile himself in the jungle, Simba grows up amongst his newfound friends, Timon (Nathan Lane) and Pumbaa (Ernie Sabella). Years later, with the Pride Lands in ruin, Simba (Matthew Broderick) returns to confront his uncle. Learning the truth of his father’s demise and accepting his rightful place as king, Simba defeats Scar and starts the “circle of life” over again with a child of his own.

Secondhand LionsSecondhand Lions
Year: 2003
Rating: PG
Length: 109 minutes / 1.82 hours

An interesting way to play off of stereotypes is to create characters who exhibit the opposite traits. Sure, there are plenty of lions who represent strong ideals, like Aslan from the Chronicles of Narnia series. Still, a cowardly lion, like the one found in The Wizard of Oz (1940), is much more entertaining because he doesn’t act like one would expect a lion to act. Similarly, Alex the Lion from Madagascar (2005) was given his meat to him by zoo caretakers, thus depriving him of any hunting skills. Even the rehabilitated lion from Secondhand Lions (2003) became more like a housecat than a dangerous predator. However, just because a lion doesn’t act the way we think it should, we are often initially cautious because of the warnings about lions we have heard time and again over the years.

Brothers Hub (Robert Duvall) and Garth (Michael Caine) McCann were content living out the rest of their remaining days shooting at travelling salesmen and performing risky stunts. Unfortunately, their niece dropped her son, Walter Caldwell (Haley Joel Osment), off at their country home. As the teenage boy and his great uncles get to know each other, they eventually grow close. After Hub orders a retired lion from a circus, he’s disappointed to learn the lioness is tame, since he wanted to hunt the beast and mount its head on his wall. Escaping from her cage, the lioness adapts to the cornfield and makes it her territory. While Walter learns that the rumors of his great uncles’ wealth and adventures are true, his mother arrives to try and claim the fortune. It’s at this point when the old lioness steps in to protect Walter, giving him the ability to separate himself from his lyin’ mother for good.

2 sum it up: 2 films, 2 likeable lions

#292. Animated Classic Literature

Anyone who grew up during the late 1990’s is probably familiar with the PBS show, Wishbone. As a child soon to be headed into junior high, I enjoyed the show at face value, but deep down in my subconscious I was learning about classic literature. For years, these episodes were my only exposure to famous pieces of literature, and thus my only knowledge of their plots until I read some of them many decades later. Disney has also done a pretty good job of adapting many classic tales to the big screen. Through their animation studio, many fairy tales were memorably created and still remain almost as the de-facto versions of their source material. That being said, some of the adaptations weren’t as obvious as others. This week’s two films look at some classic literature in an animated format.

Treasure PlanetTreasure Planet
Year: 2002
Rating: PG
Length: 95 minutes / 1.58 hours

Up until the 21st Century, Disney had animated many well-known stories from various sources. From fairy tales to short stories to novels, much of their source material was in the public domain. Once the new millennium came around, they started to create some original stories like The Emperor’s New Groove (2000), Atlantis: The Lost Empire (2001) and Lilo & Stitch (2002). While this trend has mostly continued, there were a few films animated during this timeframe that held to the formula of adapting classic literature. While being thinly veiled as something different, Treasure Planet (2002) was an almost-direct adaptation of the Robert Louis Stevenson novel, Treasure Island, merely with sci-fi trappings available via new, 3-D animation techniques (with traditional, 2-D animation being interposed on top of it).

Just like any other teenager, Jim Hawkins (Joseph Gordon-Levitt) has a longing for adventure. While Alponian solar cruising works for the time being, when he is given a map by the pilot of a crashed spaceship, he sets out to find where it leads. Despite the final words of the pilot warning Jim to “beware the cyborg”, one of the friends he makes while aboard the RLS Legacy is none other than half-robot cook, John Silver (Brian Murray). After taking control of the ship during a mutiny he planned, Silver lets Jim and some ousted leaders of the ship escape to Treasure Planet. Once on the planet, the original crew finds a robot by the name of B.E.N. (Martin Short) who has literally lost his memory. In searching for the robot’s missing piece, Jim discovers that the map is also able to open portals, including to the center of the planet where the treasure is stored. Unfortunately, this triggers the planet to explode, forcing them to abandon the treasure.

The Lion KingThe Lion King
Year: 1994
Rating: G
Length: 89 minutes / 1.48 hours

Most kids who go to see an animated film won’t necessarily pick up on the source material like their parents will. Even famous films like The Great Escape (1963) and Seven Samurai (1954) have received the animated treatment in Chicken Run (2000) and A Bug’s Life (1998), respectively. While I enjoyed these animated films as a child, it wasn’t until I was older that I realized I’d seen these plots somewhere else before. Unlike Treasure Planet (2002), it took me some time to realize The Lion King (1994) was William Shakespeare’s Hamlet in disguise. Even though it’s not a direct adaptation, many of the main characters are there. Simba is Hamlet, Scar is Claudius, and even Timon and Pumbaa are Rosencrantz and Guildenstern. Obviously, some of the more violent and dramatic moments from the play were toned down in the animation, but the main thrust of Hamlet still lies there in the African plains.

Simba (Jonathan Taylor Thomas) is the male cub born to Mufasa (James Earl Jones), the leader of a pride of African lions. Because Simba is now next in line to the throne, Scar (Jeremy Irons) sets about trying to kill both Mufasa and Simba so he can become king. While his plan to use a wildebeest stampede to kill them both only kills Mufasa, Scar convinces Simba it’s the cub’s fault and forces him into exile. Simba (Matthew Broderick), having now grown up in the jungle with his friends Timon (Nathan Lane) and Pumbaa (Ernie Sabella), returns to the Pride Lands to confront his uncle Scar. Along the way, he is visited by the ghost of Mufasa, who tells him he is the rightful king of the land. Once back home, with the help of the lionesses, Simba fights Scar and eventually wins, sending him into exile. Unfortunately, Scar’s hyena henchmen have different plans, as they overheard him betray them to everyone.

2 sum it up: 2 films, 2 different Disney adaptations

#291. Treasure Island

Like many of the classics of literature created over the centuries, Treasure Island has seen a number of different film adaptations over the years. This adventure, written by Robert Louis Stevenson in the late 19th Century, is the basis of much of our fictional understanding of pirates. We likely wouldn’t have X-marked treasure maps or one-legged sailors with parrots were it not for this novel. What’s interesting is the differing variety of film adaptations of this work. They have come in many varieties and interpretations including animated films, films with puppets, and science fiction retellings. The story itself has also transcended international boundaries, having been adapted in Russian, Japanese, French, and Italian. This week’s two films look at some unique adaptations of the classic tale of Treasure Island.

Muppet Treasure IslandMuppet Treasure Island
Year: 1996
Rating: G
Length: 99 minutes / 1.65 hours

Those who are familiar with the Muppets know that these comedic puppets often represent real animals. From Fozzie Bear to Kermit the Frog to Miss Piggy, each of these animals has their own personality and characterizations. However, Muppet Treasure Island (1996) was not the first adaptation of this story to feature animals as some of the characters. The Japanese animated film, Animal Treasure Island (1971) pre-dates the Muppet film by a few decades. They can’t even claim a mixture of live-action and another medium (like puppetry or animation), because the two-part Russian version of Treasure Island (1988) interspersed live-action sequences with animated ones (albeit, not as well as other films have done) to tell the tale of mutiny on the high seas. Still, having a version of the story done by the Muppets gives a comedic look at this treasure-hunting adventure.

Upon receiving a treasure map from his friend, Billy Bones (Billy Connolly), Jim Hawkins (Kevin Bishop) and his friends Gonzo and Rizzo set out to find the treasure. Unfortunately, once they are able to board a ship that will take them there, a mutiny breaks out amongst the pirates of the crew. Bones had warned Jim of a man named “Long John Silver” (Tim Curry), who was the cook of the ship until he took over as captain during the mutiny. Silver and Jim had already developed some semblance of a friendship, so his treachery makes Jim unable to trust the former cook. Once on the island, the pirates finally discover the hiding place of the treasure using the map, only to learn that the locals, led by Benjamina Gunn (Miss Piggy) have taken the treasure somewhere else. With the crew able to defeat the pirates and re-commandeer the ship, Silver is left alone on a desert island while Jim becomes a naval captain.

Treasure PlanetTreasure Planet
Year: 2002
Rating: PG
Length: 95 minutes / 1.58 hours

Disney has been no stranger to the story of Treasure Island. In fact, their very first, completely live-action film was none other than Treasure Island (1950). This version even holds the distinction of being the first adaptation of the story made in color. If we include the aforementioned Muppet version of Treasure Island with this 1950 version, Disney has done three different adaptations of the same story. While the genre-crossing, sci-fi adaptation of Treasure Planet (2002) is certainly a new way of telling Robert Louis Stevenson’s story, it wasn’t even the first time it had been done. Treasure Island in Outer Space (1987) (or Il Pianeta Del Tesoro in its original Italian) sets the classic tale in the year 2300 in outer space. While this Italian version had Anthony Quinn portraying Long John Silver, something about the unlimited capability of animation made Treasure Planet much more the visual spectacle.

As a child, Jim Hawkins (Joseph Gordon-Levitt) was inspired by the tales of Captain Flint, a pirate who was rumored to arrive and depart almost instantaneously from the ships he ransacked. Now a teenager being raised by his single mother, Jim finds a crashed spaceship near their inn and is given a holo-orb by the pilot of the ship, Billy Bones (Patrick McGoohan), along with a warning to watch out for a cyborg. Recognizing the orb is a map to Flint’s “Treasure Planet”, Jim boards the RLS Legacy and is sent to work in the galley with the half-robot cook, John Silver (Brian Murray). Silver is revealed to be the “cyborg” mentioned earlier by Bones as he leads the crew to mutiny. This forces Jim to use the orb, which is revealed to open portals to anywhere in the universe, including the center of Treasure Planet, where the booby-trapped treasure horde is now set to explode.

2 sum it up: 2 films, 2 Treasure Island tales

#261. Brad Bird

Have you ever had a dream job as a child? Many kids will look around and determine that they want to be firemen, police officers, astronauts, and doctors as their dream profession. Of course, once many of them realize the kind of work required to obtain these dream jobs, most children give up on these dreams to obtain employment in something more practical. That being said, there are those special few kids who work hard at obtaining their dream job. Brad Bird is one of the examples of someone who made it into his dream profession. As a child, he set out to become an animator, which brought him attention and scholarships from Disney (he was even mentored by one of Disney’s best animators). The proof of his success in animation is in the films he has directed. This week’s two films highlight some of the animated and non-animated films Brad Bird has directed.

The IncrediblesThe Incredibles
Year: 2004
Rating: PG
Length: 115 minutes / 1.92 hours

After Bird had completed his education at Cal Arts (along with classmates John Lasseter and Tim Burton), he dove into the animation world. Working The Simpsons for its early seasons, Bird eventually directed his first full-length animated film: The Iron Giant (1999). Despite the film not performing well in the box office, many consider it to be an animated classic. Due to his connection with John Lasseter, Bird approached Pixar and was able to create The Incredibles (2004). This film earned him his first Oscar for Best Animated Feature. Three years later, Bird would be tapped to direct Ratatouille (2007), thus earning him another Best Animated Feature Oscar. While this was the last animated feature that Brad Bird directed, he is slated to direct the sequel to The Incredibles in 2019, perhaps earning him another Oscar in the process.

Bob Parr (Craig T. Nelson) is tired of his suburban life. Trapped in a thankless job where he can’t help anyone, Bob longs for the past where he could live up to his potential as a superhero. At home, he and his wife, Helen (Holly Hunter) try to keep their identities hidden, since superheroes are now outlawed. After getting fired from his job, Bob receives an invitation to don the suit of Mr. Incredible again to assist in defeating a rampaging robot on Nomanisan Island. This change in lifestyle reinvigorates Bob, which causes Helen to suspect he is having an affair. Investigating further, she accidentally puts herself and her children in danger as they fly to the mysterious island. Once there, they must fight their way back to civilization to save the citizens of Metroville from another rampaging robot.

Mission Impossible: Ghost ProtocolMission Impossible: Ghost Protocol
Year: 2011
Rating: PG-13
Length: 133 minutes / 2.22 hours

While Brad Bird has focused on animation for a lot of his career, he has breached the realm of live-action films. Despite the somewhat limited abilities of live-action when compared to animation, Bird has had mixed success in the medium. His most recent foray into live-action, Tomorrowland (2015), was not very well received by critics or audiences. However, his addition to the Mission: Impossible franchise, Mission: Impossible – Ghost Protocol (2011), not only revitalized the franchise, but also set a record as the most successful film in the franchise to date. With only a few films in total under Brad Bird’s belt, I would be interested to see if another live-action film were to follow in the Tomorrowland footsteps or in the more successful footsteps of Mission: Impossible – Ghost Protocol.

After breaking Ethan Hunt (Tom Cruise) out of a Moscow prison, the IMF team then proceeds to infiltrate the Kremlin in order to find information on someone named “Cobalt”. Unfortunately, the Kremlin is destroyed in such a way that Ethan and his team are suspected to be the perpetrators. After this incident, the “Ghost Protocol” is enacted, which means that the United States will disavow any secret agents while also providing them with latitude to go after the mastermind behind the attack. Now the IMF team has tracked Cobalt to Dubai, where he plans to attack the U.S. with Russian nuclear missiles in order to instigate both sides into an all-out war. While Cobalt succeeds in launching a missile from a submarine, Ethan and his team are quickly working to disable the warhead before it destroys San Francisco.

2 sum it up: 2 films, 2 of the best by Brad Bird

Bacon #: 2 (The Incredibles / Holly Hunter -> End of the Line / Kevin Bacon)