The rise and fall of an actor can almost be as entertaining as watching them in a movie. Somehow we’re drawn to the drama that unfolds in real life even more than the drama captured on celluloid. While we might often forget their successes, we can almost remember where we were during their failures. If there was one actress who practically started the tabloid newspaper business, it was Elizabeth Taylor. With her multiple husbands and an epic box office failure (the exorbitantly expensive Cleopatra (1963)) to her name, we often forget that, amongst a handful of nominations, she won two Oscars for her acting. After she left the film industry, she did go on to be known for such notable interests as jewelry and perfume, but many still remember her contributions to cinema. This week’s two films highlight the change from Elizabeth Taylor, the young actress to Elizabeth Taylor, the serious starlet.
Father of the Bride
Rating: Not Rated
Length: 92 minutes / 1.53 hours
Elizabeth Taylor first appeared on the silver screen at the age of 10 in the film There’s One Born Every Minute (1942). The next year, she would appear in Lassie Come Home (1943) in another bit part, eventually rising up to a starring role by 1944’s National Velvet. In the films leading up to her 18th birthday, Taylor seemed to be relegated to movies meant for families, including A Date with Judy (1948), Julia Misbehaves (1948), and a remake of Little Women (1949). Having already portrayed a bride in the aforementioned Julia Misbehaves, Elizabeth Taylor certainly understood the role by the time she was cast in Father of the Bride (1950) and its sequel, Father’s Little Dividend (1951). Ironically enough, Taylor herself was married for the first time in 1950 and divorced by 1951; the first of many.
One evening during an ordinary dinner at home, Kay Banks (Elizabeth Taylor) lets slip that she’s not only in love with Bucky Dunstan (Don Taylor), but has accepted his marriage proposal as well. While this announcement throws her mother Ellie (Joan Bennett) into a wedding planning frenzy, her father Stanley (Spencer Tracy) is more than just a bit uneasy about the whole thing. Kay finds herself having to conform to age-old traditions to help calm her parents’ nerves. After taking her parents to meet the new in-laws, she is soon approached by her father after the engagement party and asked if she couldn’t consider eloping. While this tactic was meant as a cost-saving measure by Stanley, Kay starts to consider it. When Kay’s fiancé lets her know the honeymoon will be a fishing trip, she calls off the wedding, only to be reconciled with her beloved before the big day finally arrives.
A Place in the Sun
Length: 122 minutes / 2.03 hours
By 1951, Elizabeth Taylor was able to shed her child-like roles and leave them well behind her as she began to develop in her career. One of the first films to start her on this path to stardom was none other than A Place in the Sun (1951). She would go on to team up with director George Stevens five years later for Giant (1956), earning her the first of many awards. While Taylor was married to six different men during her life, she was nominated for an Oscar only five times. Her first three nominations for Raintree County (1957), Cat on a Hot Tin Roof (1958), and Suddenly, Last Summer (1959) were followed by two wins for BUtterfield 8 (1960) and Who’s Afraid of Virginia Woolf? (1966). While A Place in the Sun and Giant were included in the American Film Institute’s first Top 100 list, Who’s Afraid of Virginia Woolf? managed to fill their spots in the 10-year anniversary of the list.
Angela Vickers (Elizabeth Taylor) is a socialite who meets George Eastman (Montgomery Clift) at a social event hosted by George’s uncle, Charles Eastman (Herbert Heyes). While George does not have the immense wealth of his uncle, he is enamored by the high life, mostly because of his opportunity to be around Angela. Unfortunately, George is already tied down to a factory girl, Alice Tripp (Shelley Winters), who is pregnant with his child. Spending as much time as he can with Angela, George is purposely ignoring Alice in the hopes she’d go away. When Alice learns George has been with Angela, she decides to blackmail him into marrying her. When they arrive at the courthouse, they find it to be closed due to the Labor Day holiday, thus inspiring George to suggest they go for a boat ride at a nearby lake. Since Alice cannot swim, George has a dastardly plan to get rid of her. Will he go through with it?
2 sum it up: 2 films, 2 terrific Elizabeth Taylor performances
Bacon #: 2 (Winter Kills / Jeff Bridges -> R.I.P.D. / Kevin Bacon)